Story: Taylor Sheridan
Cast: Josh Brolin, Emily Blunt, Benicio del Toro
Music: Jóhann Jóhannsson
Time: 121 minutes
Bottom-line: Superb thriller; deserved a lot more recognition
In Mexico, Sicario means hitman.
One
of the splendid films that went unnoticed, Denis Villeneuve’s thriller Sicario is a story about the drug
cartels in Mexico. The film stars Emily Blunt, Benicio del Toro and Josh Brolin
in the lead roles, with Daniel Kaluuya and Victor Garber in the supporting
roles. Sicario was nominated for
three Oscars: Best Score, Cinematography and Sound Editing (winning none).
In
Chandler, Arizona, FBI agents Kate Macer (Blunt) and Reggie Wayne (Kaluuya)
lead a SWAT raid of a safe house of a Mexican drug cartel. A booby trap kills
several police officers. Following this, Kate’s boss, Jennings (Garber)
recommends her to a DoD-CIA joint venture – led by CIA officer Matt Graver
(Brolin) – to bring down the Sonora cartel lieutenant, Diaz. Determined to find
the men responsible for the Chandler incident, Kate accepts. En route to El
Paso, Kate meets Matt’s partner, Alejandro Gillick (del Toro). Matt tells Kate
their plan is to disrupt the drug trade to such an extent that Diaz is called
back to Mexico by his boss, Fausto Alarcón. During the operation, Kate finds
several suspicious incidents: Alejandro’s foggy background, the refusal for
arrest warrants… but is repeatedly overruled by Matt and her boss. What is the
actual mission? What is Kate’s role? And more importantly, who is doing the
right thing?
I’m
surprised none of the actors received any Oscar nods, while all of them
deserved one; del Toro did receive a BAFTA nomination though. The way he plays
the shady, powerful and cunning “cop” (for lack of a better name; you don’t get
to know what he actually is!), with his sudden violent outbursts, is chilling
to watch; look out for the dinner table scene towards the end. Josh Brolin’s
character is also full of surprises; we are first introduced to him sitting in
a conference room wearing a beach shirt with bathroom slippers! Always with a
wry smile and casual demeanour, we are deceived a lot when it comes to his true
nature.
One
main theme of Sicario is that no
person is entirely good or entirely bad; every coin has two sides. This is
clichéd, admittedly, but the presentation is what makes it effective. The
suspense is really good, and the several exchanges between the characters are
the highlights: Kate and Matt outside the tunnel, Kate and Alejandro in the
climax, to name a few (Blunt’s acting is outstanding in these sequences; a pretty good choice for a female action hero I must say!). There
is a lot of violence, and that coupled with Jóhannsson’s chilling score makes a
gruelling watch. The cinematography is superb: the aerial shots, a few long
takes, the dynamic camerawork, the greyscale and infra-red scenes are quite
exciting.
Sicario
did not get the popularity or the awards it deserved, probably because of the
not-so-famous director and crew, but boy, this is one mind-blowing thriller!
The acting, cinematography, score, visuals and the craftily created characters
all come together to give one of the best films of the year. Highly
recommended!
My Rating: 4/5
Rotten Tomatoes rating: 94%
No comments:
Post a Comment