Screenplay: Aaron Guzikowski
Cast: Hugh Jackman, Jake Gyllenhaal, Paul Dano
Music: Jóhann Jóhannsson
Time: 153 minutes
Bottom-line: Gripping, chilling and wonderfully acted
Along
with Ron Howard’s Rush, Villeneuve’s Prisoners also joins the list of the
underrated films of 2013. The film features an ensemble cast, led by Hugh
Jackman, Jake Gyllenhaal, Paul Dano, Melissa Lewis, and supported by Viola
Davis, Terrence Howard and Maria Bello. The story is set in Penn state, where
Keller Dover (Jackman), his wife, Grace (Bello), and daughter, Anna, and his
teenage son, Ralph, go to their friend, Franklin’s (Howard) house, where his
wife, Nancy (Davis), daughters Joy and Eliza live. As the four children go out,
they see an RV with someone inside. After dinner, Joy and Anna disappear.
Detective
Loki (Gyllenhaal) is assigned the case, and he arrests the driver of the RV:
Alex Jones (Dano), a man with the IQ of a ten-year-old, who lives with his
aunt, Holly (Leo). Following various leads, Loki also links a priest – who has
a corpse in his basement – and another man with an obsession for mazes, to this
case, while Keller, having fixed his mind that Alex is responsible, secretly
kidnaps and tortures him in his father’s old house. Who is the real criminal?
Like
Villeneuve’s other films, Sicario and
Incendies, Prisoners also contains a lot of graphic violence (in fact, it had
an NC-17 rating during its initial release because of this). Roger Deakins’
cinematography, however, is brilliant (and received an Oscar nod). The
emotions, the violence, the action and the ghost-like atmosphere have been
captured superbly. Prisoners draws
its strength mainly from the acting: Jackman and Gyllenhaal have both given
Oscar-worthy performances here.
Never
before would you have witnessed such an angry and monstrous Jackman or such an
energetic Gyllenhaal. I love their exchanges and their mind games, each man
with his own idea of right and wrong. The role of Keller Dover, a father
desperate enough to turn into a criminal, is certainly one of Jackman’s best
works. Paul Dano has barely ten lines or so to talk, and his character spends
most of the film getting tortured by Dover. He is that character for whom you,
as a viewer, feel pity, even more than you do for the father who has lost his
daughter.
Prisoners
does not spend too much time on the build-up; it cuts to the chase as early as
fifteen minutes into the film. From then on it is a roller-coaster ride, where
each new character introduced makes you think he is the main suspect. Keep
track of every character; the ending ties up everything in one neat bundle.
A close inspection of the background of Alex and “maze man” might make you root
out a few plot holes but otherwise, the story is clean, with the plot twists
giving regular jolts. I’m surprised that Prisoners
received very few award nominations/wins, because I, for one, consider it one
of the best pictures of 2013, apart from being Villeneuve’s best work.
My Rating: 4/5
Rotten Tomatoes rating:
81%
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