Story: Kenneth Lonergan
Cast: Casey Affleck, Lucas Hedges
Music: Lesley Barber
Time: 136 minutes
Bottom-line: An emotional ride, with Affleck and Hedges at their
best
Earning
six Academy Award nominations this year, Kenneth Lonergan’s Manchester by the Sea brings out one of
the best performances of both its lead actors: Casey Affleck and Lucas Hedges
(each receiving an Oscar nomination). The story revolves around Lee Chandler
(Affleck), a quiet, introverted janitor in Quincy. Despite his reliability, he
is often rude to his customers, leading to tension between him and his boss.
Lee receives news that his brother, Joe (Kyle Chandler), has died of a heart
attack. When Lee reaches his hometown, Manchester-by-the-Sea, to break the news
to Joe’s son, Patrick (Hedges), he comes to know that Joe has named Lee as
Patrick’s guardian. Lee is shocked, for this would require him to shift to his
hometown: the place where his past haunts him. The relationship between Lee and
Patrick – before and after Joe’s death – is what the film is about.
One
thing about Casey Affleck’s acting: he can never express emotions. However,
when the role doesn’t require one to do so, this guy is one of the best-suited
people. Lee’s character is a reserved one: taciturn, minding his own business.
He has a traumatic past: memories of his accident causing the death of his
kids, his divorce (Michelle Williams plays his ex-wife, Randi) all come
flooding back when he arrives at his hometown. The other mentally disturbed
character is Patrick: a boy with a deceased father, an alcoholic mother, two
girlfriends and an uncle whose cooperation he never seems to get. The film
emphasises on the mental tension that exists between these two characters. Both
of them suffer in different ways, each with his own problems, but they try to
find solace in each other.
Affleck, with Williams as Randi |
That
is what brings out the best in acting from Affleck and Hedges. The former’s
authoritative attitude, his angry outbursts, and the latter’s myriad of emotions
– as a teenager would normally have – are so naturally delivered. Michelle
Williams has barely 10 minutes of screen time, with one heartfelt conversation
with Lee, but giving her an Oscar nod seems a bit exaggerated! I also felt
there were a lot “awkward silences” throughout the film; scenes where the
camera would be at a fixed location, and the characters performing mute
actions, probably intended for the viewers to reflect on what’s going on.
The
story has several flashes to the past, as Lee scans through his memories of
Manchester by the Sea; the relationship between Patrick and himself gradually
turns from two people forcibly made to stay in each other’s company, to people
who accept each other with all their flaws. The ending seems apt, leaving you
with a touch of happiness after almost two hours of melancholic content.
My Rating: 3.5/5
Rotten Tomatoes
rating: 96%
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