Story: Ravi Udyawar, Girish Kohli, Kona
Venkat
Cast: Sridevi, Adnan Siddiqui, Sajal
Ali, Nawazuddin Siddiqui
Music: A. R. Rahman, Qutub E-Kripa
Time: 146 minutes
Bottom-line: Pretty much a Sridevi show
Mom will most likely be remembered for
two things – one, Sridevi winning her long-overdue National Award for Best
Actress and two, this being her last big film – also her 300th film
appearance – before her unfortunate death a few months after the release. The
film features Adnan Siddiqui, Nawazuddin Siddiqui and Sajal Ali in the lead
roles, with Akshaye Khanna and Abhimanyu Singh in the supporting cast.
Devki (Sridevi) is a biology
teacher who is popular among her students. She lives with her husband, Anand
(Adnan), and is the stepmother of Arya (Sajal), who keeps calling her “ma’am”
instead of “mom”, still unable to accept the fact that Devki has “replaced” her
biological mother. On Valentine’s day, Arya goes to a party, where she publicly
rejects her classmate Mohit’s proposal. Mohit and his friends take revenge by
brutally raping Arya and dumping her in a drain, nearly killing her. Despite
Arya’s statement accusing her attackers, the rapists are released due to lack
of circumstantial evidence. Unable to digest this, Devki takes it upon herself
to avenge Arya, with the help of detective DK (Nawazuddin) who feeds her intel
about the rapists. Closely following the family is Crime Branch officer Matthew
(Khanna) who soon starts suspecting Devki. What does the mom do?
While the bold attempt to make a
woman-centric revenge drama must be appreciated, a little bit of pondering
reveals several holes in the plot, some more obvious than the others. Of
course, if Devki’s plan had been to go to each rapist’s house and clobber him
with a cricket bat, then there’s no need for logic. But when she decides to
take the smart route for revenge, I
feel the plot could have been worked on more to fine-tune some aspects and give
a cleaner tale. But again, when it’s Sridevi on screen, all these take the back
seat; you want her to win.
Sridevi’s performance is,
undoubtedly, brilliant. Specifically, look out for the scene where she breaks
down in the hospital when she is informed about the rape, and also her acting in
the climax. Her National Award is the first time it has been awarded
posthumously. Sajal Ali’s role is sublime as well, and the divide between mom
and daughter in the film is just so painful on many occasions. After a point,
you don’t know whether to pity Devki more or Arya. Nawazuddin Siddiqui dons a
new appearance and accent for this film, making him almost unrecognisable at
first sight. It seems like a needless gimmick but nevertheless, it is
entertaining to see him having this look.
Mom ends Sridevi’s career on a high
note, but as a film by itself, there is scope for improvement as far as the
script goes. The technical aspects and the acting are of high quality (I liked
the cinematography in particular, especially the way the rape is indirectly
depicted only through ominous music and a top view of the car inside which it
happens). However, if you are looking for just a thriller or a woman-centric
film, there are better ones; if you just want to watch Sridevi, this movie will
satisfy you but I would also strongly recommend the earlier work of hers, English Vinglish.
My Rating: 3/5