No Country for Old Men (2007)

Minimalist poster, showing the
role of fate

Director: Joel and Ethan Coen 
Screenplay: Joel and Ethan Coen (based on the book by Cormac McCarthy)
Cast: Tommy Lee Jones, Javier Bardem, Josh Brolin 
Music: Carter Burwell
Time: 122 minutes
Bottom-line: One of the best cat-and-mouse dramas ever!

This neo-noir Western thriller is one of the best works of the Coen brothers thus far, and proves to be very tough to beat! Starring Tommy Lee Jones, Javier Bardem and Josh Brolin, along with Woody Harrelson, this film explores how fate treats three different men all involved in one plot.

Brolin as Moss

1980, Texas: After a monologue by the Sheriff Ed Tom Bell (Jones), the story starts with Anton Chigurh (Bardem), a prisoner who escapes after strangling the cop who arrested him. His weapon is a captive bolt pistol. Meanwhile, welder and Vietnam veteran Llewelyn Moss (Brolin) comes across a failed drug deal in the desert; he finds several people murdered, and a suitcase containing two million dollars. With greed overcoming his conscience, Moss decides to take the case home, but soon he is pursued by two strangers. He sends his wife to safe custody and flees. We now understand that Chigurh is a hitman hired to retrieve the case. So as Chigurh starts hunting down Moss, his wife becomes concerned and asks Bell to protect her husband. As the three men interfere in each other’s lives, they realise one thing – there are no clean getaways... 

Bardem as Chigurh, with his weapon 

The storyline is simply brilliant. From the moment Moss picks up the case, you know the chase has started, and then it never stops. Every scene your heart beats loudly and your hands start trembling. The cinematography and editing are so perfectly done that each sequence has the right amount of screen time to give that suspenseful feeling. The film is kind of a case study of how fate can control your life, with just enough violence to make sure it has an impact – Moss decides to follow his greed, and his life has one story; Chigurh is the merciless killer who will go to any length to retrieve the money, and how his life turns out is also shown. The only clean character seems to be Sheriff Bell. With this theme, the story is built and is supported by the drama of the cat-and-mouse chase in the desert landscape of Texas.

TLJ as Sheriff Bell

The film has no grand climax, but it is those little incidents during the film that you should look out for, especially Chigurh’s encounter with the old man at the shop. The dialogues are exceptional, and they carry a nervous humour along with them; the way he taunts the man into deciding whether he should live or not, is chilling! If this guy isn't a terrifying villain, I don't know who is! Javier Bardem is the exact guy to portray this character, with his build, accent and just enough facial expressions; it was a well-deserved Oscar win. His hitman character, with his captive bolt pistol, is truly scary... particularly in that scene where he assaults the motel guests! I also liked Josh Brolin’s acting as Moss, and I think he did an excellent role of playing the “mouse” of the movie. If it wasn’t for the acting, the film would have never been as great as it is considered now.

The ending does not exactly tie up all loose ends, but it makes one thing clear – you can't stop what's coming. Everyone gets what they deserve, and it is entirely up to fate.

My Rating: 4/5
Rotten Tomatoes rating: 93%

Wall Street (1987)

Director: Oliver Stone

Story: Oliver Stone, Stanley Weiser

Cast: Michael Douglas, Charlie Sheen, Daryl Hannah

Music: Stewart Copeland

Time: 126 minutes

Bottom-line: An engaging drama powered by Michael Douglas

Every dream has a price.

Featuring one of the most iconic characters (and antagonists) of the 1980s, Oliver Stone’s Wall Street is a drama film about a young stockbroker and his relationship with a corporate raider. The film not only had a positive impact on critics but also on other Americans who have claimed to be inspired by the film to work on Wall Street. The film stars Michael Douglas and Charlie Sheen in the lead roles, with Martin Sheen, Daryl Hannah and Terence Stamp in the supporting roles.

Greed, for lack of a better word, is good.

1985, New York: Bud Fox (C. Sheen) is a junior stockbroker for Jackson Steinem & Co. Not entirely happy with his current job, he wants to work with legendary Wall Street player, Gordon Gekko (Douglas). After a long wait, Fox gets his chance for an interview with Gekko. Desperate to impress Gekko, Fox leaks out some inside information on Bluestar Airlines, which he heard from his father, Carl Fox (M. Sheen). Gekko becomes Fox’s client and asks him to spy on a British CEO (Stamp) as his next task. With time, Fox becomes rich, enjoying all the perks offered by Gekko, and even gets a girlfriend though him (Hannah). But when Fox has to choose between family and money, he finds himself in a shaky situation. Would he go against the immensely powerful Gekko? Or does he do what’s morally right?

 

Douglas as Gekko

While Charlie Sheen later became pretty much synonymous with Charlie Harper in Two and a Half Men, his role as Bud Fox is far better. Chosen for the role because of his “stiff acting”, I like the way he portrays the naïve stockbroker willing to go to any length to win the admiration of Gekko, the way he gains confidence and stands on his own two feet, and how he reacts when his world comes crashing down. Michael Douglas went on to win the Academy Award for Best Actor for his role – the powerful, cunning and unrelenting raider. His speech to the Teldar Paper panel is the highlight of the movie. While you’re admiring Gekko’s style and panache, you are also shocked by his ruthlessness (I wrecked the company because it was wreck-able, all right?).

Martin Sheen as Carl (left) and Charlie
Sheen as Bud Fox

Now whether you want to follow Gekko’s policy of “greed is good” (Greed, in all of its forms: greed for life, for money, for love, knowledge, has marked the upward surge of mankind. And greed, will save that malfunctioning corporation called the USA) or whether you want to wade through Wall Street as an honest man, the film will certainly pique your interest in this area. From one group of people yelling at the top of their voices to buy or sell stocks, to others in suede suits relaxing in their penthouses, the film gives a glimpse of all such characters. Although you may not understand the technicalities of everything that’s going on, the plot is still entertaining enough.

 

Hannah as Darien, Bud's girlfriend

While finance is a murky area – and the film also shows just that – how much you want to be “inspired” by it is up to you. However, with Michael Douglas and Charlie Sheen taking centre-stage, Wall Street will definitely be worth watching for anyone who dreams of finding themselves in the titular location.

My Rating: 3.5/5

Rotten Tomatoes rating: 78%

Awakenings (1990)

Director: Penny Marshall

Screenplay: Steven Zaillian (based on the memoir by Oliver Sacks)

Cast: Robin Williams, Robert de Niro

Music: Randy Newman

Time: 121 minutes

Bottom-line: A bittersweet experience; one of the most beautiful films about the human spirit

Based on the memoir by the renowned neurologist, Oliver Sacks, Awakenings is a film that explores the bonding between a doctor and a post-encephalitic patient. Robin Williams and Robert de Niro star in the lead roles, with John Heard, Julie Kavner and Penelope Ann Miller in the supporting roles. The story is inspired by real-life incidents.

There’s no such thing as a simple miracle.

1969, The Bronx: Dr Malcolm Sayer (Williams) is a caring physician at a local hospital. Despite having no previous experience with humans (if only they were less unpredictable, he says) he is designated to work with patients who have survived the 1917-28 epidemic of encephalitis lethargica. Despite their catatonic states, Sayer finds that they are able to respond to familiar music, catch a ball reflexively etc. After attending a conference on the L-Dopa drug and its effects on people suffering from Parkinson’s, Sayer decides to test it out on one particular post-encephalitic patient, Leonard Lowe (de Niro). After several doses, Leonard miraculously “awakens” from his catatonic state. Following the success, other patients are also given the drug. As Leonard adjusts to the new world after 30 years, he falls in love with a patient’s daughter, Paula (Miller). However, the drug starts to have side effects, and all the patients realise that the miracle was too good to last. What happens to Leonard? What happens to his relationships with Dr Sayer and Paula?

There was a time when I was on a spree of Robin Williams films: Insomnia, Dead Poets’ Society, One Hour Photo… and this film made it into the list then, but I never got around to it. Nevertheless, when I decided to watch it, I was rewarded with a poignant, emotional film, with incredible performances by Williams and his co-star, Robert de Niro. In one of his most famous non-comic roles, Williams is wonderful with his sensitive portrayal of emotions: the way his character is influential and genuinely kind to win the admiration of the staff, the patients, and of course, the viewers. Robert de Niro spends the first fifty minutes of the film frozen in a single pose, but is downright amazing in the next half. From the man “waking up” to the new world, to the man making friends and falling in love, to the diseased “patient” suffering from tics and spasms, de Niro makes you smile in joy and almost weep over the course of the film.

 

Williams as Dr Sayer (left) and de Niro as Leonard

The story is beautifully written. In many ways, it was similar to One Flew Over the Cuckoo’s Nest, with regard to the whole atmosphere of an “institution”. The characters of Leonard’s mother, Paula and Eleanor (another nurse; portrayed by Kavner) support the main track – providing elements of motherly love and romantic love, which influence both Sayer and Leonard. The scene where Leonard’s mother pleads to Dr Sayer to save him, and the scene where Leonard unleashes his anger on Sayer are two of the most poignant moments of the film, while on the other hand, the scene where Paula dances with Leonard for one last time – and his spasms temporarily stop – is one of the uplifting moments.

Miller as Paula, dancing with de Niro

Despite being nominated for three Oscars (Picture, Actor – de Niro – and Screenplay), Awakenings seems to be one of the lesser known films of both de Niro and Williams. It deserves a lot more recognition, for being an astounding film on the power of the human spirit. I end the review with this quote by Dr Sayer, something that we should reflect on as well: The human spirit is more powerful than any drug and that is what needs to be nourished: with work, play, friendship, family. These are the things that matter. This is what we'd forgotten. The simplest things.

My Rating: 4.5/5

Rotten Tomatoes rating: 88%  

Minority Report (2002)

Director: Steven Spielberg

Screenplay: Scott Frank and John Cohen (based on the short story by Philip K. Dick)

Cast: Tom Cruise, Colin Farrell, Max von Sydow, Samantha Morton

Music: John Williams

Time: 145 minutes

Bottom-line: Interesting concept, and excellent script-writing

"We don't choose the things we believe in; they choose us."

Steven Spielberg’s futuristic sci-fi thriller brings together several themes and ideas, combining neo-noir, crime, drama and of course, science - in fact, it is a standard example of a film belonging to the "tech-noir" genre. Tom Cruise plays the lead role, supported by Colin Farrell, Max von Sydow, Samantha Morton and Kathryn Morris.

The flaw is human.

If the future is set in advance, does free will exist? This dilemma is one of the fundamental themes of Minority Report. The year is 2054, and in Washington DC, there is an organisation called Precrime. Their speciality: three “Precogs”: psychics who can predict the future. Their use: to inform the department about murders that occur in the future, so that Precrime can send in forces to prevent them from even happening. Seems neat, right? The Precrime captain is John Anderton (Cruise), who has separated from his wife after the disappearance of his son. When a United States Justice Department agent Danny Witwer (Farrell) comes to audit the program, the Precogs predict that John would murder a man in 36 hours. Determined to prove his innocence, John takes off. As he starts his investigation, he realises that the system is flawed… and as always, the flaw is human.

 

Cruise as Anderton

The fact that you prevented it from happening doesn’t change the fact that it was going to happen.

I like the way the scenario is introduced to the viewers. The futuristic setup, the Precrime organisation, the concept of the Precogs and what they do, and later, the glitches in the system, are explained in a lucid manner. Spielberg combines the standard wrong-man genre with an extensive science-fiction backdrop that makes the film stand apart. The pace of the story is perfect, with the clues leading to the right answer revealed at the right moments. Then there is the action and suspense, of course – the scene where the “spiders” search for Anderton is sure to give you goosebumps and make you sweat, and the one where Anderton tries to escape from the shopping mall is ingenious.

 

Farrell as Witwer

The science part of the film is the debate between free will and determinism. Precrime works based on the fact that the murders will occur, but have not yet done so. The question is, what is the guarantee that the events to follow will create a different future than the ones predicted by the Precogs? The “future” killer has a choice or free will to shy away from committing the murder, but then determinism says that all the future events are set. Minority Report illustrates this in one of the best ways possible.

The filming style is the highlight when it comes to the technical aspects. A technique known as bleach bypassing is used, such that the film has a high level of contrast, and in several scenes, it looks like a black-and-white picture; the scenes have a “washed-out” appearance. The first few minutes themselves are indicative of the distinctive narrative style, as compared to any other Spielberg film. Tom Cruise’s and Samantha Morton’s (who plays the female Precog, Agatha) acting are excellent.

 

Morton as Agatha

Minority Report may be a movie about flaws, but the film is quite clean. It’s a bit over-dramatic at times, but other than that, the science, the action, the story and the visuals are superb. A sci-fi movie that actually talks a bit about science, it’s worth watching!

My Rating: 4.5/5

Rotten Tomatoes rating: 90%

Side Effects (2013)

Director: Steven Soderbergh

Story: Scott J. Burns

Cast: Jude Law, Rooney Mara, Channing Tatum, Catherine Zeta-Jones

Music: Thomas Newman

Time: 106 minutes

Bottom-line: Smartly written, and superbly acted

Steven Soderbergh’s psychological thriller film is, sadly, one of his most underrated and unrecognised films. While it may not have big stars or an action-packed script, Side Effects is a quiet, smart thriller with enough twists to keep your pulse racing at all times.

 

Law as Dr. Banks

Martin Taylor (Tatum) has just completed a four-year prison sentence for insider trading. His wife is Emily (Mara), who has been severely depressed in his absence, and is under medication for the same. Despite her attempts to bring back the romance in the relationship, she doesn’t get any better. When she drives her car into a wall in a suicide attempt, she is assigned a psychiatrist: Dr. Jonathan Banks (Law), who prescribes her a set of antidepressants but none of them seem to work. Banks visits Emily’s previous psychiatrist, Dr. Victoria Siebert (Zeta-Jones), who suggests a new experimental drug. This works, but Emily has sleepwalking as a side effect. When Emily stabs Martin to death in one of her sleepwalking episodes, who is to blame? Is she insane? Is it the new drug? Is it negligence from Dr. Banks? Or is it all a conspiracy?

 

Mara as Emily

The first thing I liked about the film is how clean the story is. In a plot involving a lot of characters, a lot of complicated incidents, the sequence of events is neat. It unfurls like a proper mystery thriller, with the build-up, the high point, the investigation and the climax. From the time of the murder to the last scene, there are startling twists around every corner. In a tale full of manipulative schemes, I like the way the film focuses only on the battle of wits without bringing in any needless violence or stunts.

 

Zeta-Jones as Dr. Siebert 

Rooney Mara’s performance as the disturbed and depressed patient is the best of the lot. As we learn more about the true nature of her character, the more we appreciate the way she portrays all the different emotions and disguised traits. Jude Law’s determined and intelligent character brings a lot of energy to the screen. Zeta-Jones, with her diabolical behaviour and equivocal statements, is by far the shadiest character in the film. The acting, overall, is so good that you will never find out who is the “white” character and who the “grey” one is.

 

Tatum as Martin

There is not a single dull moment in the film. Few scenes give the viewers hints to guess what’s happening, as we uncover the mystery along with Dr. Banks. The script is so crisp and the way the psychological games are played is brilliant. Just when you think Siebert has the upper hand, Banks pulls something unexpected to get even with her. The acting is top notch, the cinematography and score are effective, and I fail to see why this film isn’t given the praise it deserves. One of the best thrillers in recent times, I strongly recommend this film.

My Rating: 4/5

Rotten Tomatoes rating: 83%

Ex-Machina (2015)

Director: Alex Garland

Story: Alex Garland

Cast: Domhnall Gleeson, Alicia Vikander, Oscar Isaac

Music: Ben Salisbury, Geoff Barrow

Time: 108 minutes

Bottom-line: A deeply intriguing sci-fi thriller

To erase the line between man and machine is to obscure the line between men and gods.

This directional debut of Alex Garland gives him a firm footing in the film industry. Starring Domhnall Gleeson, Alicia Vikander and Oscar Isaac in the lead roles, Ex-Machina is a futuristic sci-fi thriller about a humanoid robot.

Isn't it strange, to create something that hates you?

Caleb Smith (Gleeson) is a programmer for the search engine company, Blue Book. He wins a competition which gives him a chance to visit the isolated house/research facility of the CEO, Nathan Bateman (Isaac). Nathan lives alone apart from a servant, Kyoko (Sonoya Mizuno) – who neither understands nor speaks English – and a humanoid robot with AI, Ava (Vikander). Caleb’s job is to test whether Ava has a “consciousness”, despite knowing the fact that she is a robot. As the sessions go by, Ava and Caleb become attracted to each other. Ava is able to trigger temporary power shortages that allow them to speak without Nathan watching them. During one such power outrage, Ava tells Caleb that Nathan is a liar and cannot be trusted. When Nathan passes out drunk one night, Caleb decides to explore the house. What he finds makes him question everything around him: why was he chosen? What’s the real job Nathan wants him to do? 

 

Gleeson as Caleb (left) and Isaac as Nathan

Given that this is Garland’s debut film, the major highlight is the simplicity. While the visual effects are outstanding (James Cameron would be proud), the story otherwise is simple, clean and crisp, with minimalistic dialogue and characters. Once the story starts, the dialogues between Caleb and Nathan give us sufficient character intros, and we know that Caleb’s job is to perform a Turing test on Ava, but the plot twists keep coming one after the other. By the end, you realise that you, as a viewer, have been manipulated as well. Irrespective of whether the ending is justified or not, it is most certainly unexpected. Being able to fit in so many credible twists in a tale with minimal settings is indeed a skill.

 

Vikander as Ava

Whether or not AI will be able to do whatever Ava does is debatable, but while AI and robots in movies are becoming more common, Ex-Machina stands apart. The acting is another big boost to the film. Oscar Isaac’s narcissism and crooked personality are in stark contrast to Gleeson’s innocence and honesty. The mind games they play with each other – as well as the other thought experiments they discuss – make you wonder who really is ahead of the game. Alicia Vikander’s performance earned her a BAFTA nomination. The way she portrays the characteristics of a robot and a human at the same time is admirable.

With an absorbing storyline, and a chilling climax, Ex-Machina is a brilliant film by Alex Garland. It relies more on science than the action, which is what makes it different. Watch it for the visuals, as well as for Isaac’s and Vikander’s performances.

My rating: 4/5

Rotten Tomatoes rating: 92%

Annihilation (2018)

Director: Alex Garland

Screenplay: Alex Garland (based on the novel by Jeff VanderMeer)

Cast: Natalie Portman, Jennifer Jason Leigh, Oscar Isaac

Music: Ben Salisbury, Geoff Barrow

Time: 115 minutes

Bottom-line: A superb blend of science, suspense, violence and human life

Almost none of us commit suicide, but almost all of us self-destruct. 

My friend recommended this film to me, saying, “The last scene will make you question what you saw the past two hours!”, and I immediately knew I had to watch it. Alex Garland’s sci-fi horror-thriller stars Natalie Portman and Oscar Isaac in the lead roles, with Jennifer Jason Leigh, Tessa Thompson, Gina Rodriguez, and Tuva Novotny in the supporting roles. If you are one for a straight, clean film, fair warning: Annihilation is far from that. 

Fear what’s inside.

Lena (Portman) is a cellular biologist, whose husband is an Army Special Force Soldier, Kane (Isaac). He had gone on a mission over a year ago, and one day, suddenly returns home. He does not seem to remember anything about the mission, and also starts coughing up blood. Lena comes to know that he went to a government facility named “Area X” – where a large bubble-like structure called “the Shimmer” is expanding – and was the sole survivor. Lena volunteers to join a group of female researchers – psychologist Dr. Ventress (Leigh), scientists Josie (Thompson) and Cassie (Novotny), and a paramedic, Anya (Rodriguez) – who plan to go into the Shimmer to find out its nature. Once inside, they discover weird growth phenomena among plants, and are attacked by vicious, mutated animals. It is only a matter of time before they slowly start becoming insane, exactly like the earlier expedition.

 

Portman as Lena, and Isaac as Kane

Annihilation combines the science from films like Arrival, and the visceral imagery from films like 28 Days Later (also written by Alex Garland) and Alien, to give a thriller that gets your pulse racing. While many themes seem old or stale initially, you find yourself having a whole new experience as the film progresses. With regular jump scares and plot twists, this film requires a careful watch to catch some of the subtle hints, and more importantly, to understand the climax. Of course, there are numerous websites just waiting for a chance for films like these to come up with “The ending: explained” articles, and some such theories for this film are pretty intriguing.

 

Jennifer Jason Leigh as Ventress

With most science fiction films, there is a high expectation with regard to the visuals. Annihilation does not disappoint. From dazzling use of colour, to heinous imagery of skeletons, monstrous animals, and (lots of) blood, you will be awed and shocked at the same time. There’s a thin line which distinguishes sci-fi from the supernatural, and how you interpret the last few incidents in the lighthouse is up to you, but the special effects are superb. The other aspect that boosts the film is the acting, especially the powerhouse performance by Natalie Portman, aptly supported by Jennifer Jason Leigh. I like how the movie has minimal dialogue – there are several long stretches of time without anyone talking, but you are so immersed in the film by just watching what’s going on in the screen that you don’t even feel that something is missing.

 

The crew of researchers

The story is confusing - and even more so with the timeline shifting back and forth - and as mentioned earlier, the ending is a cliff-hanger. But if you are one for open-ended films, this is a must-watch. A few questions will definitely remain unanswered, but that’s when you take the “science” part of the science fiction with a pinch of salt. All that said, if you just want entertainment, add this to your watch-list.

My Rating: 4/5

Rotten Tomatoes rating: 88%    

Predestination (2013)

Director: Michael and Peter Spierig

Screenplay: Michael and Peter Spierig (based on the book by Robert A. Heinlein)

Cast: Ethan Hawke, Sarah Snook, Noah Taylor

Music: Peter Spierig

Time: 97 minutes

Bottom-line: Tries to do way too much and ends up failing

This was a film that my friends were badgering me to watch for a long time, and now that I have seen it, I have no idea why they all went gaga over it. The Australian science-fiction film stars Ethan Hawke, Sarah Snook and Noah Taylor in the lead roles, and employs the concept of time travel, in particular, the predestination paradox.

"... the snake that eats its own tail, forever and ever..."
At an unknown point in time, a time-travelling agent tries to disarm a bomb that explodes and burns his face. As he recovers, we get to know that he had attempted to prevent the attack of the “Fizzle Bomber” on New York in 1975. After he heals, the agent (Hawke) moves to 1970, New York, where he works as a bartender. He meets a customer, John (Snook), who narrates his tale to the bartender. We see that he was born a female, Jane (also Snook), and she gets a chance to go to space, but is later disqualified because of a medical condition that is never revealed to her. Jane later falls in love with a man, gets pregnant, and then the man leaves her. Following some medical complications, a surgery forces Jane to live as a man. The agent offers to take John back in time to find out who left Jane, but as they soon discover, time travel has been irreparably tampered with, leading to severe repercussions.

 

Hawke as the Agent

I am reminded of the movie Incendies by Denis Villeneuve, where the twist ending awed many, but made me cringe. The same goes for Predestination. Up to a point, I felt that the concept of time travel has been used well, exploiting its loopholes and paradoxes. After a while, it is too convoluted a plot to follow. It is as though the intention of the film is just to explore an extreme case of the predestination paradox; every incident is scripted that way, and there the film loses its grip on the viewer.

 

Snook as Jane

This film launched the career of Sarah Snook, who plays both Jane and John. With sufficient help from the make-up crew and voice artists, her acting is sublime as both the characters: the sensitive, nerdy Jane, and the depressed, vengeful John. Ethan Hawke has that air of charm around him just because he is Ethan Hawke (after all, he starred in the “Before” trilogy didn’t he?) but he doesn’t have that demanding a role in this film. The other main character in the film is Robertson, played by Noah Taylor; what his true job is and how it messes with everyone’s lives will be revealed when you watch the film.

 

Snook as John

Predestination definitely requires a couple of viewings, and you might want to read several “plot explained” articles to truly understand what’s going on and place all the events in a sequential order. Once you do that, you can either go “wow!”, or in my case, wonder why the hell any of those even happened.

My Rating: 2.5/5

Rotten Tomatoes rating: 83%  

99 (2009)

Director: Raj and DK

Story: Raj and DK and Sita Menon

Cast: Kunal Khemu, Cyrus Broacha, Boman Irani, Soha Ali Khan

Music: Shamir Tandon, Ashutosh Pathak

Time: 133 minutes

Bottom-line: A smart mix of reality and fiction; 100% entertainment

Inspired by the India-South Africa cricket betting scandal of 1999-2000, 99 is a comedy-drama that uses that very scam as a backdrop for a tale of mix-ups, goons, theft and importantly, (lots of) money. The film features an ensemble cast including Kunal Khemu, Soha Ali Khan, “The Week That Wasn’t” Cyrus Broacha, Boman Irani, Mahesh Manjrekar and Vinod Khanna.

 

Cyrus as Zaramud (left) and Kunal as Sachin

It’s only after that one run to reach a century that you get a standing ovation; if not, no one remembers the 99 runs you scored.

Mumbai: Sachin (Khemu) and Zaramud (Broacha) run an illegal business where they clone SIM cards of mobiles. In an attempt to escape from the cops, they steal a Mercedes belonging to a gangster, AGM (Manjrekar), and damage it beyond repair. AGM catches them and uses them as hitmen to get back his loans from his other borrowers in Delhi. Meanwhile, Rahul (Irani) is a gambler, betting money on everything from poker to cricket matches. He has also borrowed money from a lot of loan sharks, including AGM. His competitor in betting is JC (Khanna) – based on the real-life bookie. When the bag of money – that Sachin and Zaramud take from Rahul to AGM – gets stolen, the only chance the three of them have to get back the money is by betting on the tie-breaker ODI match. Do they “hit a century”? Or do they “get out at 99”?

 

Boman Irani as Rahul

99’s success relies on Kunal Khemu’s charisma and Cyrus Broacha’s comic timing. The Laurel-Hardy type combination really works wonders, and the chemistry between them is brilliant. Outrageously dumb and cunningly smart at the same time, these two carry a lot of energy, which is balanced by the far saner character of their hotel manager and Sachin’s love interest, Pooja (Soha). Boman Irani’s character is the most interesting of the lot – a gambler with a list of “theories” and “signs” that lead him to his money, the way he juggles to pay off his loans to all the different people, while pacifying his wife at the same time, is truly hilarious.

 

Soha as Pooja

The hyperlink narrative – joining tales involving small-time crooks stealing briefcases to millionaires throwing fortunes on a match – and the backdrop of cricket all add to the fun. One aspect where the film differs from reality is that the actual 4^th ODI is shown as the tie-breaker match in the story, as a plot device. A lot of subtle humour comes from the Indian stereotypes, from the way people treat cricket as a religion, how every girl in Delhi is either named only Pooja or Neha, and the newspaper headlines you see just before the closing credits. The plot twists are unexpected, and the story is filled with so many quotable punchlines and jokes.

One of the cleanest comedy films in the past decade, 99 is surprisingly (and sadly) underrated. With a fast-paced narrative, well-crafted plot twists, and, as the tagline says: part fact, part fiction, pure fun, this is a film you must watch, cricket-lover or not!

My Rating: 4/5

Searching (2018)

Director: Aneesh Chaganty

Story: Aneesh Chaganty and Sev Ohanian

Cast: John Cho, Debra Messing, Michelle La

Music: Torin Borrowdale 

Time: 102 minutes

Bottom-line: An intense, edge-of-the-seat thriller; scarily realistic.

In a time when we are dominated by data, social media and the internet, the looming question has become, “How much data is out there? How can it be used? And will it be used for doing good?” Searching is a thriller film that gives us a glimpse of the power of social media and the internet in the context of a girl who goes missing. The film stars John Cho and Debra Messing in the lead roles, with Michelle La supporting them.

 

Cho as David

San Jose: David Kim (Cho) and his daughter, Margot (Michelle) have a strained relationship ever since the death of his wife, two years ago. One night, Margot goes to her friend’s house to study, and calls David three times, but he ignores the calls in his sleep. David is unable to reach Margot the next morning, but starts to panic only when he calls her piano teacher and finds out that Margot had cancelled classes 6 months ago, but was still taking money from David. David decides to file a “missing person” case. Using her laptop and logging into her social media accounts, David realises that Margot was up to something far more sinister than it appeared. Detective Vick (Messing) confirms the last known location of Margot as just outside the city, suggesting that she may have run away. Who are Margot’s true friends? Who are the faceless people she has been talking to over the internet? And what more can David find out about his daughter from her data?

 

Michelle La as Margot

The highlight of the film is, undoubtedly, the visual style. Every scene in the film is shown in a screen, and through the viewpoint of a camera – a webcam, or a CCTV camera, or a video camera etc. (exactly like the episode Connection Lost of Modern Family – S6: E16). From googling to chatting, from untyped messages to trending tweets, the camera follows all of David’s activities on various screens and devices. The dialogues and audio track also fit in perfectly, to match the screen activity or the situation (the sudden crescendo accompanying every plot twist is pretty eerie).  

 

Messing as Detective Vick

The other reason why Searching is powerful is because it is so real. The story deals with stuff you and I use every day: Facebook, email, and various other forms of communication. It is so easy to get fooled by a faceless person on the other side of the screen, and we don’t realise how harmful our data is unless someone uses it against us. There’s also the concept of how heartless people can be when you don’t face them in person but rather just their electronic personality on screen, as shown in the film. The film once again shows how social media can work for you or against you – the moment David attacks a “potential kidnapper”, the news is all over the internet, humiliating and disparaging him for his actions, without any mention of the full story.

The storyline is solid – within 102 minutes, we are shown enough backstory about the characters, every step in the search process, and the subtle hints which could lead us to the “solution” as to what actually happened. The plot twists pop up at regular intervals, each one more powerful than the last. John Cho wins our hearts as the pitiable father of the missing girl – traumatised by his wife’s death and troubled by his relationship with his daughter and brother. Debra Messing’s role is also commendable.

Searching could be a wake-up call for many of us who are unaware of the potential/existing dangers of the internet and social media, but it is surely a thorough entertainer for all. Full of suspense and heart-racing moments, this modern-day thriller is one you should not miss.

My Rating: 4.5/5

Rotten Tomatoes rating: 93%